Skip to content

Archive for November, 2009

Lupe Fiasco – “Enemy of the State: A Love Story” (Mixtape Review)

This is beautiful, abstract art. If you look really close at it, and then squint your eyes and then slowly back away...you'd still see the boring artwork. Sarcasm, for the win.

K1ng Eljay – So when I first saw the title, Lupe Fiasco’s “Enemy Of The State” mixtape reminded me of the throwback movie from Will Smith where he ran the entire movie. I mean, he easily ran more than Tom Cruise in War of the Worlds, and that movie has one of the best climactic endings to a movie that I have seen TO THIS DAY.

That being said, just because of the title I had high hopes for this mixtape. Usually I lower my expectations a little to be biased, but in this case I didn’t think I’d have to. It’s Lupe. Fiasco. So it’ll be dope. That was my thinking at least.

The Good:

I was right. It’s not the deepest stuff you’ve heard Lupe spit, but he delivers on some of the most popular beats out right now, and a couple of throwback tracks as well. His wordplay is STILL unmatched as far as his style of flow, and the interludes are kept to a minimal… Which is good. And channeling the movie (kind of), the last half of the mixtape finishes itself off almost flawlessly (R.I.P. Slaughterhouse/Clipse instrumentals). So it doesn’t seem like there’s any problem with this mixtape at all, right?

The Bad:

Wrong… there’s a huge problem with this mixtape. It shouldn’t take you more than about 20 minutes to figure it out. That’s because the mixtape is released with the purpose of being cassette style, and it tops out at about 22 minutes. Yes, it is high quality as far as mixtapes go but…

It’s 22 minutes long.

If anything, it’s more of a tease than a mixtape to me. 7-track EPs average longer than this mixtape. I’m used to mixtapes being chocked full of music. Yes, I’d rather have quality than quantity on any day, but 22 minutes? And 3 or 4 of those minutes are interludes? Yes, the interludes all have purpose, but there’s a strong chance that you won’t listen to those again if you’re in the mood to hear Lupe.

Ever.

…and if I hear one more person go in on that CRAPPY Diddy song, I’m going to slap something. The song’s NOT that good. The instrumental isn’t even all that great. The only redemption is that Lupe kind of redeemed it because I love the story he told with it.

Bottom Line:

Regardless of my minor/major gripes with the tape, “Enemy of the State” is still definitely worth listening to. I’m just glad he’s releasing a part two soon. That way, I can stick them together and make a dope mixtape. But hey, that’s just me complaining about the length again… bottom line, download this. It’s worth it, even if it’s just to hear him kill some instrumentals and to get excited about his next tape, “Friend of the People”…

Which, unfortunately for me, has no neat movie tie-in…crap…

The Interview (Spoken Word)

Usually I don’t post these over here, but this one’s slighty different. Here you go. Reviews coming soon.

~~~

I sit down with my journal in my right hand under the bright light as a lady dressed in all white asks me…

“Can I write?”

I almost laughed.

I wiped off my black Nikes and slowly began to gripe. I don’t think they understand the effects of my plight. Lady, I can’t even relax or go to sleep at night unless I write to relieve stress in my life by somehow ranting about wrong and right…doesn’t even matter whether I’m wrong or right… I been doing this my whole life, and my whole life’s been stricken and smitten with sorrow and strife but in spite of the mess in my life, somehow I still manage to spin my problems in a positive light…

She asks me “Is that right?” Well I don’t think it’s wrong. It’s my personal truth, I’m surprised it’s not my theme song, although I make beats and rhythms in my head all day long and spit vicious punchlines custom-made by my design. And my design comes straight from the inner-sanctum of my Mind, and my mind says my lines are fine, but… something I’ve realized well over time is that people think I’m crazy when I begin to pen my rhymes…

She asks me “So why do I write?”  Did you really have to ask? You ain’t seen what I’ve heard. You ain’t cried how I laughed. You’re not living for the future, you’re just living in your past and that’s why you have no real presence, and that’s really just sad.

She didn’t understand the answer, so I told her to sit and maybe in due time she’d understand what I had just spit… The way her thoughts were derailed told more of the tale.

You think I’ve gone mad? No I Think you’ve gone mad because all you see is bad and all you read out of context are the lines on my pad that bleeds from my pen until that particular train of thought ends. I call it a writer’s cycle, not un-similar to the one you go through that puts you in a pissy mood.

I could see the offense on her face, so I quickly went into what I had to say and told her that for me it happened every couple of days. I just sit in my room, thinking of how to pray To God for Him to help me and show me a better way of escape and I expect to hear something, but really all I hear Him say is “Write..”… so I write just in spite of all of the drama surrounding me, my friends, and my family in my life…

She asks me if I might be overdoing it… That’s a good question, and even if I was, I honestly couldn’t prove it or stop myself from doing it. I guess it’s my own personal drug, but writing’s better than me deciding to empty slugs or initiate a violent rivalry with a thug on the block until cops stopped the shots. Or added to them.

She looks down to ask me another question, but I knew the next one and I beat her to it stating that I might need me another outlet soon, and I’m aware how many people are clueless when it comes to doing this thing of writing… but I’m talented, and I plan to use this one until it’s useless…

She nods and stands up asking is there anything else she needs to know…My sarcastic self responds “Am I free to go?”

She leaves without a word, although I gave her several… I picked up my pad and pen and started to write again and for now, this is how the story ends…

Eljay’s Favorites: “Wale: Attention Deficit”

King Eljay - So I just heard that Wale’s debut album “Attention Deficit” only sold 28,100 copies, and I’m kind of upset. Record company definitely undershipped the product because they didn’t expect homie to sell. I know from firsthnd experience because it took me three store trips to find it. Not at Wal-Mart, wasn’t at Target, and Best Buy had two copies when I went in.

Shame.

IF you noticed, I did NOT post my favorite songs for Wale’s new CD, “Attention Deficit” and now you should know why. If you don’t…

I wanted to bring special attention to some of these songs. The album is amazing, and the content in the album is amazing and chocked full of hip-hop goodness. In short, the songs I’m about to highlight are ones that need to be HEARD, period.

“Diary” feat. Marsha Ambrosius


Each song on the album has a purpose (except the track with Lady Gaga, that track was kind of pointless in my opinion), and this one had one of the most potent ones. Although people have told the story of the broken, hurt, bitter black girl that holds every guy responsible for the previous guy’s mistakes, Wale takes it a step further and deals with the moments the girl decides to write in her diary on the issue. Although the song in general is from that angle, the hook applies to anyone going through the situation, and the fairytale-land-esque instrumental adds to the reflective mood of the song. He tops it off with a spoke word piece that details everything further and brings the song full circle.

“90210”


I think this is Wale’s way of dealing with all of the Hollywood groupies in the world. Lol, but seriously this is another introspective song about a girl who’d do anything for the limelight. A lot of people can’t take on narratives and make it interesting and full the way that Wale does. Here’s another song that you might be interested in hearing.

“Shades” feat. Chrisette Michelle


I’m not even kidding. This is my favorite song that I’ve heard this year. Period. Originally, I thought it meant Shades as in Stunna shades or eye-goggles, but as soon as the songs starts and Wale begins to spazz out, I realized I was completely wrong. You always hear about racism towards other races in songs, but you never hear in detail the feelings people feel towards their own race that goes deeper than ignorance, and Wale tackles a subject that black people deal with commonly but never speak on. The song deals with Wale’s initial take on people of the same race that’s a lighter color, or a lighter SHADE.

He doesn’t mince words either, from admitting how he didn’t know how to act around them at times, to how he broke up with a light skinned girl when he was a teenager, to how he (being a dark skinned fellow) longed for Wesley Snipes’ popularity to translate over to his personal life, to even the media’s perception of dark-skinned people, including Obama.

Whether if you’re a hip-hop head or NOT, or if you don’t even LIKE rap, you should hear this song. It’s an eye-opener if you’ve never heard this before, and it’s refreshing if you’ve been in this situation.

These are just three songs, but the whole album is amazing. If you haven’t heard it…maybe this will convince you to BUY it.

Spread the word. Hip-hop’s not dead. Forget what you heard.

King Eljay

Cory Gunz – “Heir To The Throne” (Mixtape Review)

 

There's no Tigers and Bears, so I'm not too scared... Just saying.

So I’ve always been impressed with Cory Gunz. Ever since the “Richer Than Richie” and “A Millie” tracks, I’ve kind of kept an eye out for him. He has a way of lacing his words together that’s similar to a certain white Detroit rapper, but that’s not a bad thing by any stretch of the imagination. His new mixtape “Heir to the Throne” pairs the BX-rapper with DJ Drama. That’s right…It’s a Gangsta Grillz mixtape.

 

The Good: I’ve said this on Twitter before. I love hip-hop, but I have a deep appreciation for rap music. Maybe more than I should. If the generic rap genre is done correctly, it serves its purpose. The mixtape is really a bastard mix between hip-hop and rap, but in all of the good ways for the most part. The production is above average by street terms (and by my terms. I love ridin’ music), the lyricism is on-point at all times, and DJ Drama’s a-overs don’t get that annoying…which is a win for me, personally.

And to top it off, he’s a dope writer. It’s evident in the track “Crew In The Spot”, when the 3rd verse kicks in, and then 8 bars in, he spits everything BACKWARDS and it’s still crystal clear. That’s the type of lyricism that goes over some people’s heads. I love it, and hip-hop heads will appreciate and – at the very least – respect the flow.

The Bad: Like I said, it’s a mix between rap and hip-hop, so it’s pretty much the same topic as most music out. Money, guns, girls. Repeat. If you’re looking for substance here, it’s not much as far as longevity. I’d love to hear him take on a subject, just to see what he does with it. It’s not happening on this mixtape, so look elsewhere.

Bottom Line: Cory Gunz is consistent, and he’s one of the few people that I feel with the right direction could be around for a long time. He’s good at what he does, but here’s to hoping that he tries something new soon. Regardless, this mixtape is dope, and if you like rap music with hip-hop influences, you should download this one.

Eljay’s Favorites

  • “Crew In The Spot”
  • “This Is What We Do”
  • “V12″
  • “Big Noise”

J.O.K.E. (A Letter To…FaceBook)

Dear Facebook,

I’m not just writing this just to get out some pent up aggressions I’ve had with you over the last year. That would be too easy. I’m sure you get hate mail about your somewhat glitchy layout all of the time. The last thing I want to do is be funneled into the “hate” pile, because I really do appreciate you and everything you do for me.

I mean, you help me to maintain sanity throughout the day. Whether it’s at school, work, or when I’m home and I don’t feel like being productive. You help me. And I thank you for that.

But lately, I’ve been logging on and seeing more and more…crap. And when I say crap, I don’t mean like ca-ca, or pooh, but when I log on and I have 17 notifications, and 15 of those are spam, it literally makes me say…

“…Well crap…”

Now, I can understand you making yourself accessible to all users through the various games, FaceBook chat, the “Like” button, and all of the other interactive things that completely overload the layout that I continue to tolerate because of the simple fact that I love looking at other friend’s/people’s words and pictures online. I’m aware of all of these things, and I tolerate it for the greater good of being an internet nosy neighbor. Don’t judge me.

However… I don’t want to be a part of every single thing you have to offer.

  • I do not want to play FarmVille or BarnBuddy or HayRoller or Mafia or whatever the heck it’s called.
  • I do not want to reconnect with certain people, because there could be a certain reason I don’t talk to them in the first place.
  • I do not want to add so-and-so as a friend even though we have 623.5 friends in common.
  • I don’t care if my sister beats my high score in Bejewled Blitz.
  • I do not want to become a fan of toothpaste, sleep, Ice Cream, or Ellen Degeneres.
  • I do not want to comment on a song by a friend only to be mortified by the amount of comments listed after my comment of people saying THE SAME THING I SAID.
  • I do not want to POKE that GUY. Don’t suggest me to poke ANYBODY on FaceBook, but if you do suggest it, let it be a girl.

So don’t suggest to me ANY of these things, and we can continue to coexist in peace.

And by peace, I mean, when I’m not on Twitter.

Have a good one.

K1ng Eljay

The Informative J.O.K.E. – “The Bigger Picture”

This is long. Just a warning from K1ng Eljay.

A lot of people have the tendency to forget or ignore critical things because of a new development. It happens all the time. A lot of people forgot that a shooter murdered 12 people because the importance of his nationality came up (which isn’t freakin’ important at all, by the way). Although the situation I’m about to shed light on isn’t as important, it is similar.

JAYZ

Regardless of who's right or wrong in the situation, this could get bad for everyone involved. Beefs are always more complex and uglier when friends are involved.

If you do not know, Jay-Z’s right-hand man Beanie Sigel recently made contract negotiations with 50 Cent, and they both are planning to address the “Jay-Z” situation in more songs. One of the songs, “I Go Off”, will debut Friday (November 13th) on ThisIs50.com (just in case you’re interested like I am). Looking at the situation, it’s easy to assume a couple of snap judgments without thinking.

“Beanie Sigel is shady for dissin’ Jay like that” or “50 Cent is shady for swooping in on Beans like that.”

And while that MAY BE TRUE, there’s a few things you should realize first. Step back and get the whole picture first. I’m not saying who’s right, who’s wrong, none of that. That’s not the point of this. It’s just that a lot of people don’t necessarily realize the bigger picture…

So what is that? Glad you asked.

“Beanie the Traitor?”

When I first heard that Beans was talking to 50, I figured it was only a matter of time. I told a friend at work, and the first thing he said was “Yo, but they homeboys! How is he gonna s**t on Jay-Z like that? That’s some sucka s**t.”

His words, not mine.

So that got me to thinking how many other people think that Beans is WRONG in this situation? So let’s look at it for a second. Beans got locked up for 366 days on some charge (probably a gun charge, I forget that detail). Beanie has said repeatedly that Jay-Z didn’t visit him at all during the jail time. Supposedly he didn’t even hear from him. Strike one.

As Beanie is released, Jay-Z is President over at Death Jam- oops, I mean Def Jam. So an album is quickly put out, so we’ll call that a foul ball… However, Beanie says that they didn’t promote the album as well as they promoted other select artists (like Jay-Z himself) and he blamed his lack of album sales on that. Now USUALLY, I don’t agree with that, but in his case, he’s right.

jay and beans

It's funny how money can change a situation...

Beanie’s album “The Solution” was hot. It probably would’ve sold more if you consider these factors; At the time, The Runners were THE HOTTEST street producers and they produced the single “All of the Above.” R. Kelly was on the hook, and the song was catchy, but not a radio gimmick. It would’ve sold. But it didn’t due to lack of promotion.

Beanie cited this. Strike three.

So now, not only is Beans still holding his tongue about the situation, the guy he rides for is kind of shelving him for his own personal agenda, whatever that might’ve been at the time.

So is it really surprising that he finally just got fed up and decided to opt-out? To me, no.

“Shady’s Business Partner”

If you don’t know, 50 and Jay haven’t really been friends. Ever since the “I’m about a dollar, what the f**k is 50 Cents” line that Jay spit a long time ago, it’s been an up-down game of chess/poker. True, 50’s a powerhouse today in his own right, but he would be BIGGER if it wasn’t for Jay-Z silently undercutting him.

Let me explain.

Can you remember the first G-Unit album that didn’t sell? Tony Yayo’s album, “Thoughts of a Predicate Felon.” Now, it’s easy to say, “That’s because Yayo sucks”…

…which is true in my opinion…

But if you look at the set-up, it was a win-win situation at the time. Yayo had just got out of jail. G-Unit had all of the momentum in the world. Everything they touched went gold/platinum with no question. The video “So Seductive” was a powerhouse single (although I didn’t like it, everyone else seemingly did, including Free, the best female host EVER from 106 & Park). And there was no competition on the release date.

And silently, Roc-A-Fella moved Kanye West’s 2nd album “Late Registration” to the same date: August 30th, 2005. Kanye did NUMBERS. Yayo didn’t.

50 cent

For years, 50 Cent and Jay-Z have had an interesting feud. After technically using Jay's name to catapult into the limelight, ironically, it's that same name that's been undercutting him for the last few years.

This wasn’t the first time they’d clashed. If you remember, due to albums leaking online, Jay-Z’s “The Black Album” and G-Unit’s “Beg For Mercy” had to be pushed to the same date of November 14th, 2003. However, the most publicized clash was the one between Kanye and 50 Cent DIRECTLY. Kanye’s “Graduation” verses 50 Cent’s “Curtis,” in which both were technically winners, but Kanye almost went platinum the first week easily, besting 50 Cent. Again.

So that’s THREE times that Jay-Z had some type of hand in undercutting a 50 Cent project. As of now.

You could say four though… on July 1st 2008, G-Unit and Def Jam were scheduled to have another duel. G-Unit’s second group album released their album, “Terminate on Sight.” And on the same day, Def Jam was scheduled to release Nas’ controversial new album “Untitled (N****r).” G-Unit moved their release date to two weeks later for some reason…

Or you could look in the media, and take note JUST to the MTV interviews. Just type in 50 Cent/Jay-Z in the search box and read through the archives. It’s an ON-OFF-ON-OFF relationship. Uniting, divorcing, getting together, giving each other props only to shoot each other down in a business-like way. It’s a chess game.

Or you could look at the fact 50’s tried to recruit certain people somehow connected with Jay-Z. Freeway was under Roc-A-Fella and did a joint album project, “Free At Last”, with 50 as the executive producer. Flopped (but that album was dope too). He recruited Mobb Deep, who has had long standing issues with Jay-Z, most notably Prodigy.

And if you don’t think 50′s that ruthless to resort to that, consider that he recorded his own soldier’s weakest moment (Young Buck) to use against him later, he kicked out a member of his group because they wouldn’t beef with the same people and then leeched off the rest of the rapper’s profits due to paperwork (Game), and the fact that he took his rival’s baby mama shopping in order to dig up dirt on him (Rick Ross).. Yeah, he’s ruthless.

beanie-seigel

In the chess match between Jay and 50, Beans is something like the pawn that made it to the other side unchecked. In short, he can change the situation... drastically.

But now, suddenly it looks like he may have something huge to bait Jay-Z with…Beanie Sigel. So as soon as an opening appears, OF COURSE 50 swoops in to offer to make music with the guy. TO ME, it seems like he’s been waiting for an opportunity to put some serious pressure on Jay and/or get rid of some of the business bitterness he’s had towards Jay for the undercuts over the last seven years…

And to top it off, 50 visited Beans in jail. Hmm.

The Bigger Picture

So now that a little more of the picture is filled in… look at the situation now. It’s more complex than it originally seemed. And the kicker of this whole situation is that Beans was Jay’s right hand man through MOST of this. Beanie was on classic Jay-Z songs (“This Can’t Be Life”, “Throw Ya Hands Up”, “Change The Game”, “Guess Who’s Back”, the latter actually being Scarface’s track) So he KNOWS the situation between the two of them. Most likely, he knows the complexities of it too.

So, now, consider that Beanie CHOSE to go and make MUSIC with 50 Cent after ALL OF THAT.

50 and beans

This is a situation where Jay-Z would be forced to respond. The nature of the situation stretches well past music and into the street credibility that Jay-Z clings to in his lyrics.

This is the first legitimate problem that Jay-Z’s had. He’s had problems in the past, but each one wasn’t really worthy of his attention. Game wasn’t too much of a problem because he’s double-minded. Prodigy just crossed the line, period (lol). Nas released “Ether”, yes, but then Nas signed to Def Jam, and put out two highly promoted (and gimmicky) albums that technically flopped, and then Jay left him there, so who really won that battle? Jaz-O never got established, and therefore never became credible.

Beanie is a different animal. This is a dude that was under Jay musically for several years. He was a front-line soldier for the man. And his situation almost DIRECTLY violates Jay-Z’s verse on “As Real As It Gets”, a new track in which he makes references of putting a homie that got out of jail back on his feet.

I gave you all of that research (which was common knowledge to me, because I noticed it as it was happening) to say this:

Looking at the full picture, this could be an epic battle on the horizon that could go much deeper than music. Only time will tell… Hopefully this helps fill in the picture a little.

King Eljay

S-Preme – The Sicktape: Volume 2 (Mixtape Review)

Sicktape2Cover

Dope. The artist even got the Jheri Curl juice to go with the pic. That's talent...

So I’ve been hearing things about “The Sicktape Vol. 2″ for a while. Rhymestyle’s been bragging about the mixtape, and I’ve had a side ear to S-Preme more than I’ve let on, especially after I heard the song “Radio” a few months back during a podcast of theirs…

…Which by the way, J. Ellis had one of the funniest call-in skits EVER on a live podcast. Whenever someone goes into a full OJ Da Juiceman impression on the spot, I cannot help but to laugh. But that had nothing to do with the review.

Anyway, I got the mixtape a couple of days early, and I’ve purposely NOT told Rhymestyle my opinion of this because I have to be unbiased to write reviews. It’s no fun listening to someone jocking an artist. That’s why I don’t listen to Funkmaster Flex ever.

No diss.

The Good: I love originality, and that’s the first thing you notice about S-Preme. There’s not really anybody like him from where he’s from (Chicago), so that’s always a plus. The mixtape/album has a great flow to it, and it’s extremely entertaining without taking away from the music. The skits are funny, and there’s a point to every song…

That means there’s SUBSTANCE HERE, people.

From reflecting on the big What-If’s of his career (“Glass Ceiling”) to kinda sorta maybe making a dance song for the radio (“Etch A Sketch”), to acknowledging his uniqueness (“The Weird One”) to finding his old rhymebook (“Future Me”), there’s definitely some sort of substance arguably for every song.
By the way, that’s just off the first half of the mixtape.

The Bad: As usual in most mixtapes, there are a few lulls in the action to keep it from flowing to its potential. I wasn’t a big fan of “Swagger Change” just because compared to the other subject matter, it was kind of weak. And some people just won’t like the general sound of the mixtape. I say their loss, but it is what it is.

Sometimes, his flow is on point, and sometimes it’s just average. This is just a personal nitpick, because it’s not really a big problem. I almost want to say it’s an acquired taste-type flow, like Common and Kanye have (BUT NOT SIMILAR TO THEM, just unique). Ironically, all three are from Chicago, so maybe that works for his benefit more than his hindrance…

Bottom Line: Overall I thought the Sicktape 2 was on point. It’s a nice step onto becoming more relevant. If he remains this way and don’t try to change into someone else (I didn’t say he couldn’t evolve, evolution is good in music) then it’s a matter of time before see him breaking through that glass ceiling he mentioned at the beginning. Check this out.

J.O.K.E. (A Letter To Rihanna)

rihanna-hairstyle-2

The way your interview coincided with the release of your new music is SHADY. Point blank.

Dear Rihanna,

I was at work yesterday in the middle of a hectic shift when I suddenly heard about you being on 20/20 to reveal your story. My first reaction was positive. I thought it was a good move to finally go ahead and get it all out in the open, especially since I figured you should’ve been done that in the first place.

But about two minutes later, it was almost as if something sank into place and I had a complete 180 degree change in my opinion. At first, I thought it was a good idea, but now because of your impeccable timing, I can’t help but state that I think there was no POSITIVE point for revealing everything now.

I feel that if you were to reveal everything, you should’ve done it earlier instead of waiting almost a year (or a long time, however long it was ago) to reveal your side of the story. When people were pressuring you about it, you should’ve got it out then. I understand needing time to heal, but it seemed like you were FINE about a month after it happened. Or two months. Or even three months. How long exactly did you need? I understand each person needs different amounts of time, but I wouldn’t be as unimpressed as I am now if it wasn’t for your TIMING.

Let me explain.

Ever since Michael Jackson’s death your ex-boyfriend Chris Brown has slowly been poking his head back into the music industry. Over the last three weeks, he is officially returned. He has three songs on the radio right now (“I Can Transform Ya”, “Crawl”, and “Drop it Low” with Ester Dean), and is in heavy rotation. It seems like everyone’s willing to give him a second chance, even though he made a TRAGIC mistake in hitting you. So he looks like he’s planning a new cd soon.

At the same time, suddenly I hear a few new songs from you. First, “Russian Roulette”. Then “Hard” with Young Jeezy. Then I see the album artwork for your new CD. Looks like you’re planning a new album soon as well.

And then I hear about your interview.

Hmmmmm…..

And just in case it wasn’t clear, this excerpt from The Associated Press should clear up what I figured out a day ago:

“Rihanna’s interview coincides with the debut of her new single, “Russian Roulette,” from her upcoming album, “Rated R.”

Chris_Brown_With_You

Yes, he made a mistake. He had no business laying hands on her. But that being said, he's still being judged from that. He already has a lot of haters to deal with. Time to move on...

I do not respect your timing on telling everything. If you wanted to keep it personal this long, you should’ve just kept it. It was to the point where most people were fine with not knowing what exactly happened and were ready to give him another chance, but no. To me, it seems like a publicity stunt to promote yourself with a new album coming soon, and it also seems like a backhanded way to make him lose his fans as well.

There was nothing good to come out of the way you did it. To me this is just like the Andre Agassi situation, when he wrote a book slamming the sport that he grew up playing and all but shocked everyone around him. There was NOTHING positive to come out of that except trying to make money (in my personal opinion because of the TIMIMG). You and Agassi have a lot in common.

I don’t know if it was “the company’s idea” or if it was your idea, but at the end of the day, it could’ve been handled differently, and because it wasn’t, I’m actually going to side with Chris Brown on this one.

You’re wrong for that, RiRi. Here’s to your career stunt.

Signed,

King Eljay

J.O.K.E. (Real – 11.4.09)

2009-11-03 19.30.54

I'm honest. But me being honest doesn't make me real by today's musical standards. Something's wrong with that picture.

I think a few words need to be destroyed from the hip-hop dictionary. Of course, I’m just a devout fan who has yet to be jaded by the corruption in hip-hop music, so my opinion might not matter as much as an XXL blogger, but I might be on to something. Of course there’s a bunch of words I’d be happy to not hear again, but “swag”, “Becky”, and “Buss It Baby” all haven’t been as compromised as the word that I have in mind.

I’m completely honest. I haven’t cursed in my own words on my site, period. I don’t shoot guns, sell crack, smoke weed, have sex all around with every girl I meet, and a lot of the things praised in rap music, I refuse to do. And because of that, I’m considered to not be “real.”

I remember when the word “real” used to mean honest. It used to mean for people to just be themselves and not to be fake and/or shady with others. And then somewhere after the year 2000, it began to change. Somehow, the word “real” and the lifestyle of a street cat became intertwined, and now real people have to carry guns, smoke, drink, etc.

That offends me, personally. I don’t do all of that, I’ve never been the one to even think about half of that stuff, but because of the fact MY honesty doesn’t line up with “today’s rap standards”, I’m not a real dude?

YOU MUST BE KIDDING ME…

And now, even that twisted version of “REALNESS” has been corrupted and questioned. We have situations coming up that question certain rapper’s street credibility, due to them saying one thing and living another. A simple example of this is the whole Plies situation. There have been several stories that conflict with the things he say on record. Reports from concerts, DJ Kay Slay, Trick Daddy, and more recently, Jamie Foxx all suggest that he misrepresents the twisted version of being “real.”

plies

Not saying he's real or not, but if he's not, these conflicting stories are going to continue...

And I’m completely indifferent about it. I don’t care, because even if he was “real”, it wouldn’t matter because to me he’s still not honest. I understand people have to be entertainers, but since when did it become cool to sell out completely to fit into what “mainstream rap” defines as real? You can be an entertainer and be honest as well.

How many people do you know that actually is straight up? All the time? Besides Kanye West? Think about it, and you’ll find there’s not too many of them with the level of success that Plies has. People for some reason keep drinking the crap that rap is raining on them (literally). Entertainers continue to see that changing their image is good for their business, and so they follow the mold, hoping to make a profit off of it. And the cycle continues.

I’m just saying it’s obvious to me that until the fans get to the point where I am and support real artists and leaves the other to die off, then this twisted version of “real” is going to continue to take over.

I can’t get with that. If their real is true, I can respect it (if you lived that way, even if I can’t relate, I can respect it), but I honestly don’t believe over 95% of what I hear on records and ESPECIALLY on RADIO anymore, because it all sounds the same.
I’m just being real with you.

Later.

K1ng Eljay

Wale: “Attention Deficit” (Album Review)

Wale - Attention-Deficit

YELLOW HEADPHONES?!? Charles Hamilton wouldn't wear 'em.

The Introduction: I have a confession to make, and I’m somewhat ashamed to even say this, but one of the things I’ve promised is to always stay 100% honest in my writings, and I wouldn’t be able to even write this review comfortably without admitting this….

I’ve been sleeping on Wale. From mispronunciation of his name (i used to say “whale”, but it’s “Wal-aye”) to seeing the cipher on the BET Awards and all but writing him off, to just ignoring new music that he put out, to even downloading his mixtape(s) and not being impressed. The only reason I downloaded the album was to hear the song with Marsha Ambrosius.

But unlike other people, I LOVE BEING WRONG…sometimes. From the beginning to the end of this album, he won me over. Let’s get this straight now: “Attention Deficit” has two of my favorite songs of the YEAR on here and you SHOULD cop this album. So here’s my PERSONAL apology to Rhymestyle, PropaYne, and most important, Wale, because I had no idea it was like that.

I refuse to make that mistake again. Now that’s out of the way…

The Good: I believe that this is hip-hop. Pretty much, the album flows tightly for the most part from front to back. The lyrics are meaningful, and even the somewhat generic songs have an original hip-hop twist to it. Whenever a dude can add Gucci Mane to a hip-hop song (“Pretty Girls”) and make him sound LEGIT, you have something special.

I’ve never heard Gucci use so many big words in my life. There could be hope for that guy yet. But I digressed…

wale-01-big

"Yo, Wale, I like the pose, and I'mma let you finish, but New York has the best Statue of Liberty pose of ALL TIME!" Well said, Kanye. Well said.

The album is a nice 14 tracks, and most of the cameos work almost perfectly for the album. And to be completely honest, I wasn’t prepared for the epic scale OR the subject content on the album. I’m going to whale on that later though…get it? Whale? Haha?

The Bad: Although the lyrics are on point and the production is solid and the concept is there, a couple of songs just don’t fit. “Chillin’” with Lady Gaga just didn’t quite mesh with me like the rest of the album (surprisingly, it wasn’t Lady Gaga’s fault), and “TV in the Radio” just didn’t pull off the crisp delivery of the rest of the album. It hurts to listen to that song for me. It’s a shame, because if you take those two songs off the CD and replace it with ANY other random song Wale has released lately, you could make a stronger case for surprise album of the year.

Not ALBUM of the year…SURPRISE ALBUM of the year.

The Realness: There are a couple of songs on “Attention Deficit” that caught me completely off guard. As I hinted on earlier, I wanted to hear the song “Diary” with Marsha Ambrosius, and it did not disappoint at all. She really does add a level of passion and soul to music that’s rare. HOWEVER… “Shades” featuring Chrisette Michelle is my favorite song of the year right now.

I thought the song would be about Stunna Shades (he did make a song about Nike Boots, so give me a pass on that), but on the contrary, Wale begins to spit (I mean…SPIT) about how he used to feel concerning him being dark-skinned and others being light-skinned. Turns out, “Shades” is about the shade (or color) of your skin. It is a MUST LISTEN TRACK for anyone who respects hip-hop. One of the realest songs I’ve heard, and the best song I’ve heard this year. Sorry Drake.

Bottom Line: Attention Deficit comes out on November 10th. You should be in the stores to buy this on November 10th. I’m buying this album on November 10th. This is music hip-hop heads can be proud of. I hope Wale can stay consistent, because if he can, then I’m going to have a new artist to watch.

—–> Final Rating: 4.6 / 5 <—–

Follow

Get every new post delivered to your Inbox.

Join 1,802 other followers